Holly Day is one of our most prolific contributors, submitting work that continually makes us think harder, laugh, and forget to breathe, all at the same time. In the past year, Holly has been especially busy, abundant with verse, and we found ourselves in love with five new pieces from her beautiful voice: “Knee-High in the Weeds,” “Because I Know,” “With My Daughter,” “Now,” and “A House for Tiny Spirits”–all available exclusively through Blacktop Passages. Because we cherish her original and fresh perspective, we’re thrilled to feature the following interview with Holly about her life and work. Enjoy!
Nearly everyone carries a high-definition camera in their front pocket or purse; it feels like we’ve already seen it all—especially augmented by digital editing, the Internet, and ultimately social media. One photograph to another, it’s becoming more and more difficult to decipher what makes a picture, a moment, special in these times, but those who have “an eye” somehow still manage to keep our attention.
William J. Stribling is Blacktop Passages’ most frequent contributor, and his photos accompany a great deal of our fiction and poetry. Continue reading
Bettina Gilois: Poetry and writing. Where did your journey begin? Continue reading
When I first meet Danny Bedrosian, I’ve heard of Parliament-Funkadelic, but I don’t know how much P-Funk I’ve actually heard. He’s a friend of a friend. He doesn’t strike me as this world-class musician who gigs on six continents with George Clinton. Danny’s just this ridiculous, hilarious guy that comes around the house sometimes and knows a lot about geography.
One afternoon, I drive to Danny’s house, sun setting orange through the oak and pine and crepe myrtle of his quiet Tallahassee neighborhood. He opens the door and introduces me to his cats: Ruby, Lucy and Mumphy.
For a second, I remember that this guy is some kind of famous. I don’t know much about the band. I have a lot to learn. I have to get it right. I don’t know where to start. Continue reading